#1004
Nem tudom hallottátok-e, de ez azért jól hangzik (szó szerint. ;)): "Charles: Sounds are recorded in a variety of ways. Often the best results are on a foley stage where it's a controlled way. Then you get a really clean recording. It's harder to do it in real life because you have an engine to deal with--especially when it ties to more subtle sounds. You can let a car roll down a hill or turn on the engine and let it drive. Often you mount the mic on the car near the tire and record it as clean as you can.
Those sounds are sweetened on a foley stage. You get more clarity. When you mic things that are mounted on cars you have to deal with the wind, the rumble of the tire and the artifacts that the car makes. We often go overboard on sounds to make them sound good; it doesn't matter if you use the exact props or not."
#1004