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[SPOILER használata kötelező]!
CAM verziós filmrol ne irj. Ne pontozz. Ne véleményezz!


Posztereket ne linkelj olyan filmről amit megnéztél. Új film, bemutató/poszter az rendben van.
Film címeket erdeti nyelven is / vagy angolul írjátok ki (zárójelben magyarul is akár)
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  • Tyler1
    #83333
    Tudod értelmezni a szövegeket, amit írtam? Nem szerintem gyenge a Predator, hanem a megjelenésekor számított gyenge filmnek. Tudod nem sokkal a Vietnámi háború után, mikor a filmvásznon is megjelentek az utóhatásai, és sorban jöttek olyan filmek, mint a Rambo, a Platoon, a Good Morning Vietnam! , vagy a Full Metal Jacket, és a közönség nem transzformerszen és godzillán szocializálódott.


    San Francisco Chronicle Peter Stack
    The movie, a rather pointless thing when you get down to it, has little of the provocative intelligence that was found in "Terminator." But at least it's self-propelling in terms of suspense and cheap thrills. [12 June 1987, Daily Datebook, p.78]

    Chicago Tribune Dave Kehr
    McTiernan, regrettably, seems more interested in spectacle than suspense, and the attack sequences are filmed for splashy visual impact. And an apocalyptic finale that raises the antiwar message to the nuclear level is more than McTiernan's metaphor can bear. [12 June 1987, Friday, p.J]

    Variety
    A slightly above-average actioner that tries to compensate for tissue-thin-plot with ever-more-grisly death sequences and impressive special effects.

    Chicago Reader
    Despite the off-rhythm styling and suggestions of primeval menace, there's really not much going on here.

    The New York Times Elvis Mitchell
    Alternately grisly and dull, with few surprises. [12 June 1987, p.C6]

    Washington Post Rita Kempley
    Frankly, scarier critters have checked into Roach Motels. [13 June 1987, Style, g1]

    Christian Science Monitor David Sterritt
    Arnold Schwarzenegger fights an outer-space monster in a third-world jungle. The monster never has a chance. Neither does the jungle. Neither does the audience. [19 June 1987, Arts & Leisure, p.23]

    Los Angeles Times Michael Wilmington
    It's arguably one of the emptiest, feeblest, most derivative scripts ever made as a major studio movie. There's no need to do a Mad magazine movie parody of this; it's already on the screen. [12 June 1987, Calendar, p.6-6]