James Cameron - Avatar
Jelentkezz be a hozzászóláshoz.
Ja, és amikor Jake-et viszik a faluba elõször, akkor is az egyik vadász, aki vezeti, hátul fogja a haját, és a kést odatartva vezeti. Ez kb olyan lehet, mintha a torkának szegezné.
3.14159265358979323846264338327950288419716939937510582097494459230781640628620899862803482534211706798214808651328230664709384460955....
Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.
..a filmet dec 25-én láttam,és a mai napig le vagyok nyûgõzve!!Tényleg csakjót tudok róla mondani..ha minden jól megy febr.10-én nézem meg újból..aki esetleg még nem látta annak KÖTELEZÕ darab!Sziasztok
Ha már egy embernek tetszik amit alkottam az maga a sikerélmény.Még ha Én vagyok az az egy valaki is
Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.
My name is ios... Edios. Not Eidos you f*ck*n pr*ck!
the world is mine
Nagyon remélem, hogy benne lesz.
mert ebbõl a jelentbõl van ez a shot
és már maga a kép is hihetetlen :'(
u dont have to listen anybody else but me
De akkor ez a jelenet már a bõvítettbe se lesz gondolom....vagy igen?
Remélem 1 éven belül már az összes BR lejátszó fogja vinni az mkv fileket.
3.14159265358979323846264338327950288419716939937510582097494459230781640628620899862803482534211706798214808651328230664709384460955....
Mit mondjak, meggyõzõ a minõsége.
Úgyhogy alig várom az Avatar BD kiadását mkv-ba rippelve. 😄
igen! volt ilyen történet a valóságban is.
max feldobták hálivúdba 😊
igazából nem védem a filmem, inkább nevezetek az ilyen próbálkozásokon, mert csak a trollok színvonalát minõsíti 😊
u dont have to listen anybody else but me
Megnéztem a filmet és nagyon jó,nekem tetszett.Szép kivitelezés mondanivalóval,várom a dvd kiadását😊
Millerke ® BFHU || https://team-simple.org/forum/ || http://bf1942.eu/Servers
Old shatterhandbe is beleszeret Winnetou huga.
Unkasz beleszeret Cora Munroba.
Pocahontas, mint lejjebb.
Vagy a filmek: Soldier Blue, Kis nagy ember, stb.
A szerelmi szál, fûszerezve egyik vagy másik fél hataloméhes, vagy féltékeny negatív hõsének intrikáival, alap.
Nem lopott senki semmit, ez a mesevonulat átszövi az egész történelmet.
"Ha a trendet követed és a trenddel mész, akkor a trend elmúlik és te is elmész..." Az 1000. nyár
the world is mine
Aztán sztem jönni fog egy Uncut/Director Version amibe ezek mind benne lesznek + a csomó extra. Legalábbis nagyon remélem hogy lesz ilyen is <#kacsint>#kacsint>
RF ONLINE Nethyrrea -LVL51 ARMOR RIDER - Novus server BlackTide L2- BDEyes Lvl 87 ISS/73necro EVE Online - Nethyrrean FGC/RAX
ehhez hozzászólva:
nem semmi... fene egye meg ezt a sok kivágást, elnézegettem volna akár fél napig is a teljest 😊
a bolti verzióban ezek a kihagyott jelenetek bennelesznek?
Reszletes leiras az elkeszult foldi jelenetekrol:
EARTH SHOTS
The Earth Shots (one shot for the Pedestrian Crossing and 13 for the Alley) were Set Extensions that were designed specifically for 3D screening. Only the foreground was actually shot - against green screen. BUF created and integrated the background set according to the references provided by the production, adapting them to the filmed shots (aerial train, holographic commercials and surrounding buildings).
CROSSWALK
For this scene, only two medium close passes of the crowd were shot. The only visible part of the set includes the street in the foreground and the changing of the traffic light. To simulate the strip lighting, the extras were lit by blinking colored lights.
Taking into account the initial camera move on the foreground crowd plates, the shot features a wide introductory view on the crowded futuristic city. Because the stereoscopic view is more demanding than in 2D films, the depth and placement of the buildings has to be very precise and coherent. Once the main buildings were placed and the overall architecture defined, thecrowd was created, thus matching the live takes and perfectly integrating them into the 3D environment ambiance.
BUF's Art Department, led by Olivier Gilbert, also designed the holographic commercials (the “Media Sky") and billboards that populate the city. For the Full-CG commercials, we shot a few characters to integrate them in the designs of the ads. All of the Mediasky was developed with the stereo in mind, accentuating the impression of depth by enhancing the parallax between them. This is why some commercials might seem very flat if seen in 2D, while in 3D they show much more depth.
These two Earth sequences have trains that run through them. Each train was modeled and textured independently then filled with 3D extras. Next, each train was animated, lit and integrated into the shots. Due to the very bright and busy environment with heavy strip lighting and commercials, the lighting and placement of reflections were crucial to achieving realism. Additionally, the placement of the raised train tracks and their supports as well as the skyscrapers had to be very precise to ensure that the depth would be realistic when projected in stereo.
Finally, we created the Laser Pedestrian Crossing. The challenge here was that director Cameron wanted the crosswalk be floating six inches above the ground. This meant that all of legs of the characters would cross through it. This work was quite complex as we had to match-move the live characters in stereo to ensure that the interaction between the Laser Crossing and the legs would work.
EARTH ALLEY
Only the foreground of the set was shot live (the entry to the alley, back door and actors) were shot. The rest of the shot is Full CG. To achieve the best results for set extension, careful attention was paid to maintain the continuity between the filmed foreground and the CG set background. The architecture, the wet reflective materials such as walls, the ground, pipes, the blinking lights and the ground full of puddles we created had to match the live plates for shape and texture. Reflections in this very humid, dark environment also required great attention to detail. We had to ensure that the waves in the puddles would distort the reflections of the commercials in a natural manner and appear correctly in stereo. Haze and mist were also added to recreate the dark and humid atmosphere of the sequence, all in stereo. From the three points of views of the sequence, the most dramatic features are the trains and the Mediasky. It was very important to place the commercials and light the set to match the lighting on the actors. Since the shots were filmed against green screen, the resulting images were very green so quite a bit of color-correction was required to restore the actual color of the alley.
In addition, the continuity between live action and CG had to work for all points of view. Since these shots show a lot of depth, the camera calibration required a lot of precision because even a tiny difference in the spacing between the two cameras could result in a huge difference in depth perception.
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Tzu-tey-t meglovik a filmben es lezuhan a hajorol. Nem hal meg a lovesektol azonnal, tuleli a zuhanast. A haldoklo utolso szavaival atadja a klan vezeteset Jake-nek. Ez a dramai jelenet teljes egeszeben elkeszult, de ki lett vagva, mert tul sok lett volna a drama a vegen.
thx 4 Birdy @ HW 😊
Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.
My name is ios... Edios. Not Eidos you f*ck*n pr*ck!