112174
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atiapuka #97371 Szevasztok!
Na ez új nekem. Én mindig úgy tudtam, hogy Divine-nak mindig Orlando csinálta a zenét. A triónak valahogy más stílusú zenéi vannak.
Szeretem a trió zenéit is, de azért nekem Orlando a favoritom. -
allada67 #97370 Az alábbi sikerszorihoz egy kis kiegészítő.
Miután Divne és Bobby Orlando összevesztek,átment a Stock Aitken Waterman
hármashoz.(1984-ben)
A You Think You're A Man-t már ők készítették neki.
Ami talán az egyik legnagyobb Divine nóta lett.
A 90-es években még Sipos F Tamás is feldolgozta.
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#97369
Szia, üdv a fórumon
Stock Aitken Waterman
Itt írnak róluk bővebben
http://www.origo.hu/kultura/20071130-stock-aitken-waterman-kylie-minogue-es-rick-astley-felfedezoinek-sikersztorija.html -
#97368
Röviden ennyi róluk:
Stock Aitken Waterman (abbreviated as SAW) were a UK songwriting and record producing trio consisting of Mike Stock, Matt Aitken, and Pete Waterman. The trio had great success during the mid to late 1980s and early 1990s. SAW are considered to be one of the most successful songwriting and producing partnerships of all time, scoring more than 100 UK top 40 hits, selling 40 million records and earning an estimated £60 million (about $104 million).[1]
SAW started producing Hi-NRG underground club hits, but earned worldwide success with a mix of Hi-NRG-influenced sound, romantic Motown lyrics and Italian melodies. During 1987–1989, their music style was labelled Eurobeat or Hi-NRG. They also put swing shuffle element to their songs.[2]
In January 1984, shortly after meeting Mike Stock and Matt Aitken, Pete Waterman asked them to work with him and his recently formed production company. One of their first collaborations was the Cyprus entry for the Eurovision Song Contest in May 1984 where Greek singer Andy Paul performed the SAW song "Anna Maria Lena". Their initial style was in creating Hi-NRG dance music with "You Think You're a Man" by Divine (#16 UK Jul 1984) and "Whatever I Do" by Hazell Dean (#4 UK Jul 1984). They achieved their first UK No. 1 single in March 1985 with "You Spin Me Round (Like a Record)" by Dead or Alive. However, Pete Waterman has said in interviews that the trio were still in dire financial straits at the time.
This success and the trio's unique sound attracted the attention of girl group Bananarama. Group member Siobhan Fahey wanted to record a cover version of Shocking Blue's hit song "Venus". The result was a pop/Hi-NRG reworking which became a worldwide chart hit, reaching No. 1 on the U.S. Billboard Hot 100 chart on 6 September 1986, and reaching the top 10 in the UK and many other countries. Bananarama went on to make Stock Aitken and Waterman their main producers, and would collaborate with them on some of their biggest hits, including "Love in the First Degree", "I Can't Help It", and "I Heard A Rumour". SAW took early notice of the skills of UK engineer, remixer and producer Phil Harding and made the chief engineer and remixer at the newly formed PWL studios. Harding was another significant force in shaping the sound of a PWL record, and subsequent engineers Pete Hammond and Dave Ford would follow his example. Harding and co-producer/keyboard player Curnow became the club remix and production 'B-Team' of PWL Studios with many remixes and productions for internal PWL SAW Productions (Kylie, Bananarama, Dead Or Alive, Mel & Kim) as well as external record company clients (e.g. Diana Ross, Michael Jackson/Jackson 5, Holly Johnson, Pet Shop Boys, Eighth Wonder, Four Tops, Chic, Depeche Mode, Erasure, Jesus Jones, Voice Of The Beehive, Gary Moore) which included many U.S. dance chart No. 1s (such as ABC 'When Smokey Sings', Imagination 'Instinctual', Blue Mercedes 'I Want To Be Your Property').
[edit]The assembly line
Following their early success, their style evolved into a more mainstream synthpop, typically performed by attractive singers. Their usual method for creating the music was to first write the songs, although many of their early acts (such as Hazell Dean, Dead or Alive, and Bananarama) often wrote their own material; next they would record the music with extensive use of synthesizers, drum machines (drums were often credited to "A Linn", a reference to the Linn brand of drum machine) and sequencers; and then finally bring in a singer solely to record the vocal track. The tendency toward interchanging artists and repertoire was well established when Rick Astley's breakout album Whenever You Need Somebody got its name and title track from a minor hit the trio had produced a year earlier for O'Chi Brown. Evidently they thought the song still had some mileage, and it was even issued with an exact replica of O'chi's club mix for the Rick Astley club mix. Their prodigious, production line-like output and similar song structures led to them being referred to as the "hit factory" (not to be confused with the record label of the same name or the New York City recording studio The Hit Factory) and attracted criticism from many quarters, including the Guardian newspaper who unflatteringly dubbed the team, "Schlock, Aimless and Waterdown".[3] However, Pete Waterman defended their style by comparing it to the output of Motown in the 1960s.
SAW’s early work was recorded and mixed at Marquee Studios in Wardour Street, where Phil Harding and Rob Waldron worked with them on Youthquake, the Dead or Alive album which included their huge hit "You Spin Me Round (Like a Record)". Waldron went to work as an assistant engineer to Harding when Waterman opened his new studio in Borough (The Hit Factory). Waldron became the chief recording engineer and Linn 9000 programmer (A Linn) and Harding was the mixer/remixer, working with various artists including Bananarama, Princess, Rick Astley, Hazell Dean, Haywoode, Brilliant and O'chi Brown.
[edit]The youth, the press and the underground
SAW's greatest success was in fully exploiting the underground music scene that was booming in Britain in the late 1980s. SAW's goal was to harness the dynamic energy of club culture (and the sound of Hi-NRG music) and marry it to squeaky-clean light entertainment that could sell in large quantities, while keeping their hands firmly in the publishing of all they produced. In this regard, they were extremely similar to Motown, with SAW reportedly making use of the dubious "artist development deal" just as Berry Gordy had two decades earlier. Under such arrangements, all facets of a young artist's career would be controlled and dictated by the record company, and often the artist's publishing rights would be co-opted in the process and the record company would fill the role of manager on the artist's behalf. While SAW seem to have worked equally well with artists under their control and with those more established and independent acts, it would obviously make more business sense for them to focus on the development of new talent under the terms that gave them the most control. As the 1990s rolled in, they seemed solely focused on their young teenage signings (through PWL and the publishing arm of All Boys Music).
PWL was initially championed by the music papers for their fresh sound and seemingly underground aesthetic, but not for long. They incurred the wrath of the British music press when they strong-armed the group M/A/R/R/S into a legal settlement over a sample that M/A/R/R/S had taken from SAW's own recording, "Roadblock", and used in their surprise hit "Pump Up the Volume". Pete Waterman wrote an open letter to the music press calling such things "wholesale theft". The press fired back that Waterman was currently using the bassline of Colonel Abrams's "Trapped" in Rick Astley's "Never Gonna Give You Up". Indeed "Roadblock" itself could be described as inspired by the classic Average White Band hit "Pick Up the Pieces". Waterman's production company even lifted the entire basic rhythm arrangement from "Pump Up the Volume" (complete with the chorus) in a remix for a Sybil record (wisely titled the "Red Ink Remix"). As a result, relations between PWL and much of the UK's music underground were for a long time acrimonious. Waterman said it was a matter of principle rather than profit and promised to donate all royalties from the court case to charity.
As the epitome of creating very popular teen-pop music, the trio were often satirised or criticised. Comedy group Morris Minor and the Majors' parodied the Stock, Aitken and Waterman style on This is the Chorus, specifically referencing Kylie Minogue's hit song "I Should Be So Lucky" as well as Mel and Kim's "Respectable". The popular satire puppet show Spitting Image also parodied Kylie Minogue, depicting the Australian singer as being brought to life by a big headed scientist. Stock, Aitken and Waterman also appear as puppet heads with their bodies forming a tape machine with arms who sing along with a SAW-style song inferring how 'lucky' the singer has been.[4] Comediennes French and Saunders also parodied I Should Be So Lucky in their television show in 1990 where the song features as an opera.
In later years, Kylie Minogue became one of SAW's biggest artists. Her first 13 singles reached the UK top ten and her debut "I Should Be So Lucky" spent five weeks at number one in the UK. The album Kylie was the highest selling album in Britain of 1988, and fifth highest-selling album of the decade. They were also responsible for 1987's highest-selling single, Rick Astley's "Never Gonna Give You Up". At the height of their fame, SAW also had a top twenty hit as themselves with the largely instrumental "Roadblock" (from which M/A/R/R/S would lift the offending sample for "Pump Up the Volume").
In 1989, SAW wrote and produced the highest-selling album of the year, Jason Donovan's Ten Good Reasons. Donovan had been Minogue's co-star in Neighbours, and his success for a time equalled hers. In 1988–89, SAW recorded three tracks with Judas Priest.[5] These tracks were never released, and are said to be in Judas Priest's possession.[6]
In 1989, SAW also recorded and produced Donna Summer's Another Place and Time album, as well as writing or co-writing all the tracks including the hit "This Time I Know It's For Real". Summer, a legendary American disco and pop singer, hired SAW in order to revive her career, just as an earlier European pop music producer (Giorgio Moroder) had launched it. However, a followup to Another Place and Time was never to be realized, reportedly due to difficult contract negotiations between Summer and SAW.
Another of SAW's most successful hit singles was the 1989 number-one single "Ferry Cross the Mersey" (a charity single featuring The Christians, Holly Johnson, Paul McCartney and Gerry Marsden).
[edit]1990–1993
Being the top producers in 1989, with 7 number one singles, SAW started the 1990s with high hopes. February 1990 brought their last UK No. 1 single, Kylie Minogue's cover of "Tears on My Pillow", and a top 10 hit with new recruit Lonnie Gordon. However, by mid-1990 SAW artists were having problems placing singles in the top 10 (with the notable exception of Kylie Minogue), and the week of 13 October 1990 became the first with no SAW-produced singles in the UK top 75 in over two years. In mid-1991 Matt Aitken left the team due to stress, and Stock and Waterman carried on. With their sound no longer in vogue, they only had notable hits with Jason Donovan (who left them in 1991) and Kylie Minogue (who left them in 1992). 1993 saw a slight resurgence with two top 10 hits from Sybil, and top 40 hits from Bananarama, Bill Tarmey, Strange Nature and the WWF Superstars. They also had a top 20 hit that year in the U.S. market with American female group Boy Krazy. In late 1993, Mike Stock ended his partnership with Waterman.
[edit]Recent times
In 1994, Stock and Aitken worked together again, forming Love This Records and achieving some success in the UK in the 1990s (notably Robson & Jerome and Nicki French), while Pete Waterman kept successfully running PWL Records.
In 2005 the three producers reunited again and released a CD+DVD album, SAW Gold, with some of their most known singles. Despite their reunion, Matt Aitken was soon to leave again. 2007 saw the release of a new Stock/Waterman produced single, the first in 14 years. It was The Sheilas' single "(I'm So) Happy Happy (You're Mine)" which only reached No. 91 in the UK.
Stock and Waterman collaborated on the UK Eurovision 2010 entry. The song called "That Sounds Good To Me" performed by Josh Dubovie, from Basildon, won the most public votes after performing live on Your Country Needs You! on BBC One. However, it finished in last place in the Eurovision final, receiving only ten points in total.
A reunion concert event called Hit Factory Live, was scheduled to place in Hyde Park, London in July 2012 featuring many of the acts associated with Pete Waterman's record labels but was cancelled due to safety concerns.
[edit]List of acts that have performed songs written and/or produced by SAW
Agents Aren't Aeroplanes
Alison Limerick
Andy Paul
Austin Howard
Bananarama
Band Aid II
Barrio Boys
Big Fun
Boy Krazy
Brilliant
Brother Beyond
Canton
Carol Hitchcock
Cliff Richard
Danse Society
Dead or Alive
Debbie Harry
Delage
Divine
Dolly Dots
Donna Summer
Edwin Starr
Edwina Laurie
Einstein
E.G. Daily
Elton John
England Football Team
Erik
Errol Brown
Fresh
The Twins
Georgie Fame
Gerry Marsden
Girl Talk
Gloria Gaynor
Grand Plaz
Haywoode
Hazell Dean
Holly Johnson
Jason Donovan
Jeb Million
Josh Dubovie
Judas Priest
Kahal & Kahal
Kakko
Keith Washington
Kenny Beck
Key West
Kylie Minogue
La Toya Jackson
Laura Branigan
Ferry Aid
Lonnie Gordon
Malcolm McLaren
Mandy Smith
Mel and Kim
Michael Davidson
Michael Prince
Mint Juleps
Mondo Kane
Morgan-McVey
Nancy Davis
Nick Straker Band
Nitro
O'Chi Brown
Pat and Mick
L.A. Mood
Paul Lekakis
Paul McCartney (as part of Ferry Aid)
Paul Varney
Pepsi & Shirlie
Phil Fearon
Precious Wilson
Princess
Reynolds Girls
Rick Astley
Rik Levay
Rin Tin Tin
Roland Rat
Romi & Jazz
Sabrina Salerno
Samantha Fox
Same Difference
Sequal
Sigue Sigue Sputnik
Sinitta
Slamm
Sonia
Spelt Like This
Splash
Stephan Remmler
Steve Walsh
Suzette Charles
Sybil
The Christians
The Cool Notes
The Fat Slags
The Sheilas
The Three Degrees
The Twins
Thereza Bazar
Vision Masters
Wanda Dee
Bill Tarmey
WWF Superstars
Worlds Apart
Yell!
[edit]UK number-one hits
The following SAW produced hits made it to the top of the UK pop chart:
1985 "You Spin Me Round (Like a Record)", Dead or Alive
1987 "Respectable", Mel and Kim
1987 "Let It Be", Ferry Aid, a cover of the 1970 Beatles' hit
1987 "Never Gonna Give You Up", Rick Astley
1988 "I Should Be So Lucky", Kylie Minogue
1989 "Especially for You", Kylie Minogue and Jason Donovan
1989 "Too Many Broken Hearts", Jason Donovan
1989 "Hand on Your Heart", Kylie Minogue
1989 "Ferry Cross the Mersey", Christians, Holly Johnson, Paul McCartney, Gerry Marsden and SAW, a cover of the Gerry and the Pacemakers' 1964 hit
1989 "Sealed with a Kiss", Jason Donovan, a cover of the Brian Hyland single
1989 "You'll Never Stop Me Loving You", Sonia
1989 "Do They Know It's Christmas", Band Aid II
1990 "Tears on My Pillow", Kylie Minogue's cover of the 1958 song by Little Anthony and the Imperials
In addition to these, Bananarama's "Venus" and Rick Astley's "Together Forever" both held the number one position in the U.S. pop charts, although they were less successful in the UK.
[edit] -
pintyoeke #97367 Sziasztok!
Nagyon szépen köszönöm mindenki hozzászólását és segítségét.
Lenne egy kérdésem. Kb. 6-7 éves voltam, amikor feltűnt, hogy Komjáthy Gyuri bácsi nagyon sokszor említette a Stock-Aidken (vagy Aedken)-Waterman triumvirátust. Ha jól értelmeztem annak idején, akkor ők tulajdonképpen producerek és dalszerzők lehettek? Ha jól vettem ki a szavaiból, ők fedezhették fel pl. Mandy Smith-t, Kylie Minogue-t stb. Nagyjából akkor ez úgy működhetett, mint ahogy mondjuk a 70-es években a Chinn-Chapman szerzőpáros írt dalokat a Smokie vagy a Sweet-együttesnek, amíg a szerződés tartott... Bocs, hogy lerágott csontokat kóstolgatok és illene is tudnom, de igazából nagyon nem ástam bele magam úgymond az euro-italo történelembe...:s Válaszaitokat előre is nagyon szépen köszi! -
sztakiba #97366 Hasznos oldal
info vadászoknak!
http://www.italo-dance-music.de/
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sztakiba #97365 Fantasztikus feldolgozások, a rég "múltból"! 
Maradandó zenék!
![]()
VC-People - Galactic Classics
Synthpop, Disco, Krautrock, 1979 MP3 320 kbps 36:06
Side "A"
Gipsy Dance (Habana from Carmen) G. Bizet
Disco Rigoletto (Caro Nome from Rigoletto) G. Verdi
E-L-I-Z-A (Piece for Eliza) L. V. Beethoven
Mr. Boccherini's Minuetto (String Quartet) Boccherini
Hoffman's Fairy Tale (Barcarole from The Tales of Hoffmann) J. Offenbach
Side "B"
I'm A Turk (Turkish March) W. A. Mozart
Bird Catcher (From Birdseller C. Zeller
Seraglio Hijack (From Overture Serail) W. A. Mozart
Tales from The Vienna Woods (From Stories of Wienerwald) J. Strauss
Cancan From Orpheus In The Underground (From Orpheus) J. Offenbac
depositfiles.com/files/wzdvvly81
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maxi71 #97364 Szia!
Jó újra hallani ezt a jó kis muzsikát!
Köszi szépen!
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#97363
De legalább azt nem kell keresgélnem. 
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#97362
Nekem ez nem tetszik, de a zenei alap, ami a Laserdance Orchestra muzsikája sokkal jobb volt Kim Taylor előadásában, nekem legalábbis ez ugrott be egyből:
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fülcsimanó2 #97361
Szia Pintyőke !
Én is épp azt akartam írni, amit Laci az imént, italo válogatásokkal Dunát lehet rekeszteni, de többségükön az alap-zenék vannak, az igazán nagy ritkaságokat ezeken biztos nem találod.
Ha a zippy helyett más oldalról könnyebb letöltened, szólj és feltöltöm máshová a Cocco Bello-t.
Tibcsikére én is emlékszem, találkoztunk is személyesen, nagyon kedves és helyes fiú, a munkahelyünk évekkel ezelőtt pár száz méterre volt egymástól, akkoriban a MÁV kórházban dolgozott, így a net kihagyásával csereberéltünk némi zenét.
Ha összefutsz vele, mondd meg neki, hogy üdvözli Marika a fórumról, biztos emlékszik rám.
Minél kevesebb zűrt kívánok neki és minél több kedvet a visszatéréshez.
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#97360
"meg is lepődtem, hogy nincs meg nekem."
Sok olyan van amit alapnak vélünk aztán még sincs meg sajnos.
PL: -
#97359
Pont így voltam vele én is, kaziról annyit hallgattam, hogy csak na. De azóta megfeledkeztem róla. Ez volt a német Otto nevű áruház szlogenje, biztos sokan emlékeznek azokra a vaskos katalógusokra, tele árucikkekkel és az elején ott szerepelt: Otto ... Find' ich gut! -
#97358
Az úgymond " nagyon nehezen beszerezhető ritkaságok " azért ritkaságok mert sajnos egyetlen egy válogatás albumon sem jelent meg hivatalosan.vagy anno nem bíztak a sikerében ezért keveset nyomtak belőle. Sajnos ezek az igazán ritkaságok.Ha birtokolni akarod őket akkor sajna meg kell venni a maxi lemezt ami ritkaságról lévén szó akár aranyárban is lehet. -
fülcsimanó2 #97357
Nem bizony, pedig ez mondhatni alap-zene emlékeim szerint, rogyásig szólt a különféle rádióműsorokban, meg is lepődtem, hogy nincs meg nekem.
De hát érnek néha meglepetések...
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#97356
A Cocco Bello rajta van az I Love ZYX Italo Disco Collection sorozat 7 és 8-as részén 2 változatban. -
#97355
Reméltem is hogy viszed mert válogatáson tudtommal nem jelent meg. 
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#97354
Tibcsit sokat emlegettük, mert valóban rég eltűnt és nem tudjuk mi lehet vele.
Fülcsi a Cocco Bello című számot tette a zippyre, ott megjelenik egy anti-spam ablakban két szó, amit be kell írni az alatta lévő mezőbe és a Download Now feliratra kattintani. Nem tudom segít-e, hogy meg lehet hallgatni a beírandó szavakat. Ha nem megy, akkor biztos megoldható, hogy máshonnan leszedhesd. -
pintyoeke #97353 Sziasztok!
Mindenkinek nagyon szépen köszönök mindent, tudtam, hogy nagyon sok kedves embert lelhetek ebben a fórumban.:-) A "cocco bello" és az "Otto, find ich gut" mely válogatásokon található? Ezek is abc-sorozaton vannak vagy létezik olyan Euro-italo válogatás, melyeken úgymond nagyon nehezen beszerezhető ritkaságok vannak? Nekem az "I love Disco Diamonds" és a "Best of Italodisco" 16 részes sorozat van meg, valamint az "Italo Bootmix" 1-től 16-ig, kezdésnek sajnos csak ennyit sikerült megvásárolnom. Egyébként egyik fórumtag, aki "tibcsike" vagy "htibcsike" néven van vagy volt fent, Ő mesélt rólatok, én szintén látássérült vagyok. Szerintem már az accountját elveszthette, mert igen régen járt fent, picit szomorúan és zűrösen alakultak a dolgai.
Pontosan nem tudom, ki töltött fel a zippyshare oldalra, tőle szeretném megkérdezni, hogy kell onnan letölteni, mert képernyőolvasó alkalmazással egész egyszerűen nem látom a letöltésre vonatkozó gombot vagy hivatkozást. Az erre vonatkozó választ is nagyon szépen köszönöm előre is! -
fülcsimanó2 #97352
Nagyon jó lett a mixelés Lacikám !
Az Otto-t én is vittem köszönettel, eddig csak mp3-ban volt meg.
Feltettem én is egy jó zenét, talán még nem szerepelt itt:
Paul J. Qualley - Please Please (wav)
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#97351
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#97350
Szia!
Ezért a korrekt bemutatkozásért jár neked ez a Rare dal is jóban.
S.C.F. Connection - Otto...Find' Ich Gut.wav
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atiapuka #97349 Közben én találtam egy dupla albumot, amit flac-nek írnak. Ezen is rajta van. Kiderült, hogy nekem csak mp3-ban volt meg.
Pedig egyszer átbogarásztam a The Best of Italo Disco sorozatot flac-ban, azokból csináltam magamnak válogatást régebben, de azon nem volt rajta. Nem is értem, hogyan maradhatott ki ez a fantasztikus zene arról a sorozatról?
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#97348
Ezeket a zenéket akkoriban én is sokat hallgattam. Éerdekes, az Otto ... Find' ich gut nincs meg jóban, csak egy talált linkem van mp3-ban ITT!
A Foreign Currency - C'est La Vie (12" Version) flac-ban pedig INNEN jön... -
atiapuka #97347 Foreign Currency-C'est la vie.mp3
http://www5.zippyshare.com/v/38627786/file.html -
fülcsimanó2 #97346
Szia Pintyőke!
Üdv köreinkben, dicséretes a bemutatkozásod és jó az ízlésed.
Az egyik zenét küldöm Neked, a ZYX Italo Disco Collection vol. 7. első lemezéről:
Cocco Bello - Cocco Bello (wav)
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atiapuka #97345 Köszöntünk itt cimbora!
Szerintem erre gondolsz:
Foreign Currency - C'est La Vie
http://www.youtube.com/watch?v=fXRs5FOGiAc
Nekem is nagy kedvencem.
Majd előkeresem neked is feltolom... -
pintyoeke #97344 Sziasztok, sok szeretettel üdvözlök mindenkit! Teljesen új vagyok e fórumon, így néhány szót szeretnék magamról elmondani. Bár 1983-ban születtem, mégis rendkívül vonzódom az euro- és italodisco zenéhez, rendkívül megszerettem ezt a stílust, műfajok jöhettek-mehettek, mindig ide lyukadtam ki. Amint tehettem, rengeteg Komjáthy György műsort, a "magnóról magnóra" adásait hallgattam és minden egyéb műsort, mely valamilyen szinten érinti ezen irányzat sajátosságait. Később természetesen jómagam is vásároltam euro-italo lemezeket, bár ezek többnyire válogatások ("I love Disco Diamonds", Best of Italodisco" stb). Pár ismerősöm mesélt erről a fórumról, nagyon örülök, hogy rátok találhattam és bízom benne, hogy sok dalújdonságra és információra tehetek szert előadókról, együttesekről, amit tudok és módomban áll, meg fogok osztani mindenkivel.
Elsőkörben lenne azonban néhány dal és album, melyet sajnos nem tudtam egyenlőre megszerezni. Úgy emlékszem, hogy "cocco bello - Cocco bello" című dala, valamint - ha jól írom a nevét- S.F. Connection "Otto find ich gut", végül egy olyan dal, melynek a refrainjében ez áll: "sa-sa-sa c'est la vie", mind-mind régen az abc euro-italo sorozat valamelyikén volt, de ismerőseim mondták, hogy most leszedték a több, mint 300 részét és egyik sincs rajta. Nos, nagyon szeretném kérni ezeket az abc euro-italo disco albumokat, melyeken a fent említett 3 dal is megtalálható. Előre is nagyon szépen köszönöm és megígérem, hogy legközelebb már sokkal rövidebb leszek!:-) -
fülcsimanó2 #97343
Sziasztok!
Egy jó hangulatú hetvenes zene:
Phil Trim - Give me your love (mp3 320 kbps)
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atiapuka #97342 Pamala Stanley & Paul Parker - Stranger (In A Strange Land)(Extended Version).flac
http://www.sendspace.com/file/7khnrh -
atiapuka #97341 Sziasztok!
Csak úgy, mert nekem tetszik:
Amanda Scott - Lies (Original Extended Version).wav
http://www.sendspace.com/file/2tldrq -
sztakiba #97340 Aki szereti "Fancy" zenéjét, annak ajánlom
![]()
Fancy - 2007 The Hits Remixed
.mp3 320 kbps
01. Fancy - Bolero (Multi Extended Version) (8:59)
02. Fancy - Check It Out (Extended Mix Max) (10:02)
03. Fancy - China Blue (Extended Chinese Remix) (8:04)
04. Fancy - Chinese Eyes (Extended Remix by M's) (9:00)
05. Fancy - Flames Of Love (Multi Extended Version) (8:07)
06. Fancy - Get Lost Tonight (Maxi Version) (6:33)
07. Fancy - Lady Of Ice (Extended Melting Ice Version) (7:48)
08. Fancy - Latin Fire (Maxi Version) (5:13)
09. Fancy - D.I.S.C.O. (Lust For Life) (Extended Version) (6:04)
10. Fancy - Slice Me Nice 2005 (Club Mix) (5:44)
depositfiles.com/files/p6n2nkvnc -
#97339
#97338-ra:
Csá xm :)
Ez veszélyes hely :)
Maga a nagy Linkovics Csumovszki uralja a sztagabú bolygóról :)
Ismertetőjele: link link hátán :D
Vigyázz magadra :)
Most már egyedül vagy :D -
IXEMGabeo #97338 Nem vágom ezt a topikot miért csak klipgyűjtésre való... -
IXEMGabeo #97337 -
sztakiba #97336 Hátha valaki gyűjti a retro klippeket.
Tessék,
sztakiba ajándéka, karácsonyra!
"Disco Classics - Remasters"
Disco, Pop 01:58:25 DVD9 DVD Video MPEG2 AC3
NTSC 4:3 (720x480) VBR AC3, 2/0 (L,R) ch, 448 kbps
Tracklist:
01. Chic - Le Freak
02. Boney M - Rasputin
03. Eruption - I Can't Stand The Rain
04. Earth Wind & Fire - September
05. Gloria Gaynor - I Will Survive
06. Yarbrough & Peoples - Don't Stop The Music
07. Brothers Johnson - Stomp
08. Arabesque - Friday Night
09. ABBA - Dancing Queen
10. Boney M - Sunny
11. Manhattan Transfer - Twilight Zone
12. Earth Wind & Fire - Let's Groove
13. Bee Gees - Stayin Alive
14. Michael Jackson - Don't Stop 'Til You Get Enough
15. Middle Of The Road - Soley Soley
16. Arabesque - In For A Panny, In For A Pound
17. ABBA - Voulez-Vous
18. Bee Gees - Night Fever
19. Boys Town Gang - The Can't Take My Eyes Of You
20. Earth Wind & Fire - Fantasy
21. The Nolans - I'm In The Mood For Dancing
22. Baccara - Yes Sir I Can Boogie
23. KC & The Sunshine Band - That's The Way -I Like It-
24. Boney M - Daddy Cool
25. Lipps Inc - Funkytown
26. The Nolans - Sexy Music
27. Kool & The Gang - Celebration
28. Village People - Y.M.C.A.
29. Doris D & The Pins - Shine Up
30. Shocking Blue - Venus
31. Stars on 45 - Stars on 45
32. Boney M - Rivers Of Babylon
1. depositfiles.com/files/nomcbpf46
2. depositfiles.com/files/y4nbrvh15
3. depositfiles.com/files/agqxdf6if
4. depositfiles.com/files/manc1no18
5. depositfiles.com/files/kkv181mnp
6. depositfiles.com/files/ftntvonga
7. depositfiles.com/files/njkjsc8uz
8. depositfiles.com/files/cduhlence
9. depositfiles.com/files/rxdajk2j1
10.depositfiles.com/files/l0w1gsiwf
11.depositfiles.com/files/rkpu4qakz
12.depositfiles.com/files/gn6skzz1h
pass: no -
sztakiba #97335 Ennyire azért nem kellene igyekeznem,
a link lemaradt "he"-"he"-"he"
depositfiles.com/files/kgjevpx09
Kicsit nizzar [b]Produced By GIORGIO MORODERf/b]
Jó a nevét láthi.
Ez még az igazi "anno"retro" -
sztakiba #97334 Téli estéken, lobog a tűz a kandallóban
és ezt a lemezt tessék meghallgatni
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Dino Solero - 1977 Classically Dino Solera
"Disco ESonCD .mp3 320kbps" 31:11
01. Classically Elise (Elise'77) 05:22
02. Suite Concerto 05:18
03. Easy Feeling 04:36
04. Theme For A Dream 06:08
05. Lovely Sax 03:29
06. Beautiful Ros' 04:46
07. Classically Elise (Reprise) 01:29
Dino Solera (All Woodwinds And Percussion)
Gary Unwin (Bass)
Mats Bjorklund (Guitar)
Giorgio Moroder (Logan)
Thor Baldursson (Keyboards)
Keith Forsey (Drums And Percussion)
Choir: Claudia, Lucy, Gitte
Recorded In MusikLand Studios, Munich,In March 1977
Produced By GIORGIO MORODER
-
zoranpityu68 #97333 http://www.youtube.com/watch?v=ZtbhBEH6N3I -
sztakiba #97332 A link:
1094-95-96
http://depositfiles.com/files/kq3ntnu99
